Last evening as we sat having our tea and biscuits after dinner and listening to the radio a piece came on that I immediately recognized but couldn’t for the life of me identify. It was an opera I should know well, it was in German but it just wasn’t registering. I hate when that happens. And quite frankly it worries me a bit. When the announcer identified it as the Quartet Wir ist so wunderbar from Beethoven’s Fidelio I felt even more frustrated – how could I not recognize one of the most sublime moments in all opera?
And a sublime moment it is. The situation is a complicated one: Rocco, the jailor, expresses the hope that his new assistant Fidelio (Lenore in disguise as a man) will become his son-in-law; Marzallina her new found love for her father’s assistant; Jaquino, her former boy friend, his jealousy of his riva; and Leonora (Fidelio) her anguish at the situation. Simple emotions: hope, love, jealousy, anguish; but clothed in one of the most glorious vocal fugues ever written.
Fidelio is an opera I’ve seen six times with some remarkable casts and productions but one of my regrets is not seeing the great Swedish soprano Elizabeth Soderstrom in this Glyndebourne performance. We just couldn’t get tickets for love nor pounds sterling and had to be satisfied with Frederica Von Stade in Monteverdi’s Ulisse. Not a bad seconds, in fact a great one, and I’m just happy that the Fidelio was filmed.
July 10th is Clerihew Day – what’s that you say? What’s a Clerikhew – left click on the link. It’s also Piña Colada Day – so break out the rum, pineapple juice and coconut milk.