Hold on to your Sleipnir Dr Spo the Viking stuff will come shortly in the meantime there’s more to the Rijksmuseum than saintly wooden statues. Here’s a few more things that caught my fancy.
Having seen perhaps the most famous painting in the Rijksmuseum on our first visit – in juxtaposition with Franz Hal’s of the same name – it was interesting to see it at a greater distance and surround by the modern paraphernalia of restoration. Very helpful guides are in place to explain both the need for and the process of restoration. I had not realized the painting had been attacked several times and required extensive restoration in 1975.
Pierre Cuypers, the Rijksmuseum architect, designed this piano as a wedding gift for his second wife Antoinette. The gift reflected their deep Catholicism. The images on the piano case show two scenes from the story of St Cecilia, the patron saint of music. It alludes the sacrifice Antoinette made in giving up her musical carrer for marriage. Rather oddly it took an extensive search to find out her name – the label certainly did not mention it and neither did most online biographies of Cuypers.
Two Mothers: When I first saw the title of this terra cotta by Frans Stracké I was a little puzzled and then I got it. As Laurent mentioned the labelling on the various pieces are great examples of what museum captions should be. I was fixated on the human and canine figures until my attention was drawn to the fisherwoman’s bad luck at fishing – she has only two fish in her pouch and her net is empty.
Painter Thérèse Schwartze was known for her portraits of Dutch royalty and the prosperous bourgeoise of Amsterdam society. With a touch of irony we know the name of the dog in this painting but not the French model who posed with him. It appears Schwartze started this painting in 1879 while a student in Paris and finished it five years later????
This rather foreboding figurehead graced the frigate Prins von Orange. Built in Rotterdam in 1828 the warship was armed with sixty canons.
And we end Willy’s tour with Intrigue – James Ensor’s rather grotesque if carnivalesque painting. His signature masked figures were an open challenge to bourgeois society of the time. Needless to say they did not meet with public approval.
I only wish I had more time to spend as I only saw two floors of two wings of this remarkable collection. Ah well the next time.
September 7th has a plethora of celebrations but I think I’ll forego World Beard Day and National Salami Day (oh grow up!) in favour of a favourite sport of Canadian drivers: Tailgating Day.