I awoke this morning to the news that my beloved Teresa Berganza had passed away earlier today. She was a singer I fell in love with the first time I heard her on a recording of Handel’s Alcina in 1962. Though I had bought the three record set because it starred Joan Sutherland I came away for it with Berganza’s voice sounding in my ears. She appeared in recital at Massey Hall several months later and when I met her afterwards she was warm and very indulgent of a teenager with a crush.
I had the good fortune to see her as Ruggerio in Alcina at Aix-en-Provence in 1978 and once again her “Verdi prati” had an simple elegance and grace that has never been matched. One thing I remember from evening was the silence at the end of the aria that was followed by thunderous applause. It is captured well in this clip from that production.
I am pretty sure I owned all of her records – particularly the complete operas and the various recitals. She was known for her performances as Rossini’s Isabella, Rosina, and Cenerentola. Unfortunately I never saw her in a Rossini opera – I had tickets for Cenerentola in Paris but took ill when in London and came home early. But I was to see her at the Paris Opera as Cherubino, another of her signature roles, in an all-star Nozze di Figaro that included my equally loved Teresa Stratas.
I’ve told the tale on here of one of the great evenings I’ve spent in an opera house: May 1980 – Carmen with Berganza and Placido Domingo at the Opéra Comique in Paris. I didn’t have a ticket but took a chance.
Standing in line for five hours at the Opera Comique waiting for a cancellation for the Berganza-Domingo Carmen. Enduring the abuse of the lumpy spun-sugar blond vendeuse at the box office. “Vous–etes fou d’attender” she heckled repeatedly, then magically produced a front row 1st loge seat 2 minutes to curtain time. The abuse was worth it – one of my great evenings at the opera.
There will never be another Carmen like her. This was not the hip-swaying slattern so often seen but a flirtatious, sensual free spirit. She was sly, seductive, playful and ultimately tragic. She was Carmen!
After her retirement from the stage she became a much sought after and loved teacher. Her master classes – many were filmed – were a reflection of her warmth as a person and her art as a musician.
Dear Teresa – you have given me much joy since that first recording; I thank you. Rest in Peace.
The word for May 13th is:
Beloved /bəˈləvəd/: [1. adjective 2. noun]
1. Dearly loved
2. A much loved person
Late Middle English: past participle of obsolete belove ‘be pleasing’, later ‘love’.
4 thoughts on “Another Great Has Left the Stage”
A beautiful and heartfelt tribute!
‘…hip-swaying slattern…’; pearls like this one is why I always enjoy your blog.
sad news indeed. She was/is my “Carmen”